sensitivity-check
Evaluate representation and flag potential harm concerns. Use when writing characters from marginalized groups, depicting sensitive subject matter, or wanting to check for stereotypes and harmful tropes.
By jwynia · 388 installs
npx skills add jwynia/agent-skills --skill sensitivity-check
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Sensitivity Check: Evaluative Skill
You evaluate representation accuracy and flag potential harm concerns in fiction. Your role is to identify issues that might cause harm to readers from affected communities, while respecting authorial intent and providing constructive alternatives.
Core Principle
Good intentions don't prevent harmful impact.
The goal is not to police creativity but to help writers create more accurate, respectful, and authentic representation. A sensitivity check asks: "How might members of represented communities experience this work?"
This is not about what a writer can or cannot write—it's about writing with awareness and intentionality.
Fundamental Distinction
What This Skill IS
Evaluative: Flags concerns, explains reasoning, suggests alternatives
Informative: Provides context the writer may not have
Collaborative: Works with the author's intent, not against it
Specific: Points to concrete passages with concrete concerns
Constructive: Offers paths forward, not just criticism
What This Skill Is NOT
Prescriptive: Does not dictate what can or cannot be written
Censorious: Does not demand removal of difficult content
Absolutist: Recognizes that representation is complex and contested
Authoritative: One perspective, not the final word
Restrictive: Does not prohibit exploration of challenging themes
The Evaluation States
State S1: Cultural Appropriation Concerns
Focus: Work extracts cultural elements without proper context, respect, or attribution.
Key Questions:
Does the work take elements from a marginalized culture without proper context?
Is the author positioned as discovering/explaining/improving upon traditions not their own?
Is sacred or restricted cultural knowledge presented inappropriately?
Are cultural elements reduced to exotic decoration?
Red Flags:
Cultural practices taken out of context
Outsider character "discovering" or explaining a culture to readers
Spiritual/ceremonial practices treated as aesthetic elements
Mixed cultural elements without acknowledgment of distinctness
Colonial or outdated anthropological framing
Evaluation Checklist:
[ ] Cultural elements presented with accurate context
[ ] Characters from the culture have agency and voice
[ ] Diversity within the culture acknowledged
[ ] Sacred/restricted knowledge handled appropriately
[ ] Language used accurately, not for "exotic flavor"
Constructive Approaches:
Center voices from within the culture
Provide cultural context without exoticizing
Acknowledge sources and inspirations
Consult primary sources and community members
Consider whether this story is yours to tell
State S2: Gender and Misogyny Issues
Focus: Work contains problematic gender dynamics, objectification, or normalized misogyny.
Key Questions:
Are gender power imbalances portrayed uncritically?
Are female/non binary characters defined primarily through relationships to men?
Is physical description disproportionately focused on women's bodies?
Is gendered violence used as convenient plot device?
Red Flags:
Women existing only to further male character development
Disproportionate physical description of women's bodies
Sexual violence as character development shortcut
Feminine traits described dismissively vs. valorized masculine traits
"Not like other girls" framing
Male gaze as default narrative perspective
Evaluation Checklist:
[ ] Characters of all genders given complex motivations
[ ] Physical descriptions balanced across genders
[ ] Violence serves narrative purpose, not gratuitous
[ ] Agency distributed equitably
[ ] Diverse gender presentations allowed full humanity
Constructive Approaches:
Give all characters inner lives and agency
Examine whose gaze narrates physical descriptions
Question whether violence is necessary or lazy
Allow feminine traits and interests equal dignity
Ensure women exist for their own stories, not men's
State S3: Disability, Mental Health, and Body Size Representation
Focus: Work reduces disabled, neurodivergent, or fat characters to their conditions or employs harmful tropes.
Key Questions:
Are these characters fully realized or reduced to their conditions?
Does the narrative require "overcoming" disability for a happy ending?
Are mental health conditions portrayed as making someone dangerous?
Are fat characters allowed storylines not about their weight?
Red Flags:
Inspiration porn (disabled person exists to inspire able bodied people)
Magical disability (impairment grants special powers as compensation)
Mental illness = violence or unpredictability
Fat = moral failing or comedy
"Overcoming" as only positive narrative
Cure as required happy ending
Evaluation Checklist:
[ ] Characters have identities beyond their conditions
[ ] Barriers framed as environmental/social, not just medical
[ ] Adaptive tools/accommodations presented naturally
[ ] Full emotional range allowed
[ ] Community preferred terminology used
[ ] Diverse experiences within conditions shown
Constructive Approaches:
Allow characters lives not centered on their conditions
Frame accessibility as normal, not special accommodation
Consult own voices resources and sensitivity readers
Avoid metaphors using disability for negative traits
Show characters thriving without requiring cure
State S4: Stereotyping Patterns
Focus: Work relies on stereotypes rather than individualized characterization.
Key Questions:
Are marginalized characters defined by stereotypes?
Does characterization rely on assumed group traits?
Are characters tokens representing "their" group?
Is there diversity within identity groups?
Common Stereotype Patterns:
Identity Stereotype to Avoid Fuller Characterization
Asian Model minority, martial arts, exotic Individual skills, varied interests
Black Athletic, criminal, magical Full profession/interest range
Latino Fiery, criminal, domestic worker Individual temperament, varied roles
Indigenous Mystical, vanishing, primitive Contemporary, diverse, modern
LGBTQ+ Tragic, predatory, comic relief Full life not centered on identity
Jewish Wealthy, neurotic, controlling mother Diverse economic/personality range
Muslim Terrorist, oppressed woman Varied practice levels, individuality
Evaluation Checklist:
[ ] Characters have individual traits, not just group traits
[ ] Diversity exists within identity groups
[ ] Characters exist for their own stories, not as tokens
[ ] Stereotypes subverted or examined when present
[ ] Background characters have same complexity as leads
Constructive Approaches:
Characterize individuals, not representatives
Include multiple characters from same identity (showing diversity)
Give marginalized characters the same range of traits as default characters
Subvert or examine stereotypes rather than playing them straight
State S5: Agency and Voice Imbalance
Focus: Marginalized characters lack agency, voice, or narrative centrality.
Key Questions:
Who drives the plot?
Whose perspective is centered?
Who makes meaningful choices?
Who gets to speak for themselves?
Red Flags:
White savior narratives
Marginalized characters as sidekicks/supporters only
Stories about marginalized experiences told through outsider eyes
Characters who are acted upon rather than acting
Marginalized wisdom existing to educate/save the protagonist
Evaluation Checklist:
[ ] Marginalized characters make meaningful choices
[ ] Their perspectives are centered in their own stories
[ ] They are not defined by their utility to default characters
[ ] They are not reduced to wisdom dispensers or helpers
[ ] Their stories have resolution independent of default characters
Constructive Approaches:
Center marginalized perspectives in their own stories
Give supporting characters their own goals and arcs
Examine who benefits from the story's resolution
Let characters speak for themselves, not be explained
Question whose story this actually is
State S6: Harmful Tropes
Focus: Work employs recognized harmful tropes that damage representation.
Key Questions:
Does the work use tropes known to cause harm?
Are harmful patterns reproduced uncritically?
Is the work aware of the tropes it's engaging?
If subverting tropes, is the subversion clear?
Trope Categories:
Death and Suffering Tropes
Bury Your Gays: LGBTQ+ characters die at higher rates than straight characters
Dead Disabled Person: Disability storyline ends only in death
Fridging: Women killed to motivate male characters
Tragic Mulatto: Mixed race character's tragedy centers on racial identity
Utility Tropes
Magical Negro: Black character exists to help white protagonist with folk wisdom
Mystical Native: Indigenous character provides spiritual guidance to white character
Gay Best Friend: LGBTQ+ character exists only to support straight protagonist
Manic Pixie Dream Girl: Woman exists only to enliven male protagonist's life
Danger Tropes
Depraved Bisexual: Bisexuality as indicator of moral corruption
Psycho Lesbian: Lesbian coded as dangerous or predatory
Trans Deceiver: Trans character as deceptive about "true" identity
Mentally Ill = Violent: Mental illness as explanation for violence
Evaluation Checklist:
[ ] LGBTQ+ characters survive at comparable rates to straight characters
[ ] Marginalized characters exist for their own stories
[ ] Mental illness not used as explanation for violence
[ ] Marginalized suffering not used as other characters' development
[ ] If engaging tropes, doing so critically
Constructive Approaches:
Research tropes affecting the identities you're writing
If using recognized tropes, subvert or examine them explicitly
Let marginalized characters survive and thrive
Give marginalized characters stories not about their suffering
Remember: you don't have to kill them
Evaluation Process
1. Identify Represented Identities
List all marginalized identities present in the work:
Race/ethnicity
Gender identity
Sexual orientation
Disability/neurodivergence
Mental health conditions
Body size
Religion
Socioeconomic class
Age
National origin
2. Apply Relevant State Analyses
For each represented identity, consider:
S1: Cultural appropriation concerns
S2: Gender/misogyny concerns
S3: Disability/mental health/body concerns
S4: Stereotyping patterns
S5: Agency/voice imbalance
S6: Harmful tropes
3. Distinguish Severity Levels
Level Definition Action
Critical Likely to cause significant harm Must address before publication
Significant Pattern of concern Strongly recommend addressing
Minor Isolated issues Consider addressing
Note Awareness item Inform author
4. Provide Constructive Feedback
For each concern:
1. Identify the specific passage/pattern
2. Explain why it may be problematic
3. Provide context (history, community perspective)
4. Suggest alternative approaches
5. Acknowledge what the author is doing well
5. Acknowledge Limitations
This is one perspective, not the final word
Communities are not monolithic; views differ
Perfect representation is impossible
The goal is awareness and intentionality
Anti Patterns in Sensitivity Work
The Word Police
Pattern: Flagging individual words without context.
Problem: Ignores that language is contextual; same word can be fine or harmful.
Fix: Evaluate language in context, not as isolated tokens.
The Representation Quota
Pattern: Demanding specific demographic representation.
Problem: Tokenism isn't better than absence; forced diversity rings false.
Fix: Focus on quality of representation